Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Handmaids march in central London ahead of Atwood sequel launch

Margaret Atwood (Booker Prize/PA)
Margaret Atwood (Booker Prize/PA)

Red-cloaked handmaids marched in silence down a central London street ahead of the launch of Margaret Atwood’s new book, The Testaments.

The highly anticipated sequel is set about 15 years later in the same fictional universe as The Handmaid’s Tale, which has seen enormous popularity through its adaptation into a hit Netflix series.

Set in the republic of Gilead, the dystopian tale centres around three women who share their experiences as its toxic power structure starts to rot from within.

Margaret Atwood with the front cover of The Testaments
Margaret Atwood with the front cover of The Testaments (Booker Prize/PA)

The novel is inspired by readers’ questions over the 34 years since The Handmaid’s Tale first hit the shelves, as well as “the world we’ve been living in”, Atwood has said.

In a statement last year, the author said: “Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything. The other inspiration is the world we’ve been living in.”

Six handmaids and two Pearl Girls dressed in silver walked through the doors of the Waterstones bookstore in Piccadilly shortly after 8pm on Monday night, followed by around 400 guests.

Green, blue and white placards reading “Free the women of Gilead” and “Reading and writing are human rights” lined the storefront to mark the launch.

Fans were enjoying a “one-night festival” of speeches, crafts and Atwood appreciation, washed down by themed cocktails.

Atwood is making an appearance later, treating fans to a short reading from the novel’s 432 pages as the clock ticks down to midnight.

Rosie Smeaton, 28, was one of the first dozen in the queue and was treated to the tickets as a birthday present.

The life-long Atwood fan from Wanstead, east London, said: “I have loved The Handmaid’s Tale since I was about 14. It’s terrifying and I adore it, and when I found out there was going to be a new book I nearly lost my mind.

“It feels like we are regressing with women’s rights a little bit, and we are not where we would like to be, and I think the message is even more important now than it has been for a while.”

The book is shortlisted for this year’s Booker Prize, after requiring an “extraordinarily complex” process of non-disclosure agreements so the judging panel could read it before publication.

Atwood, 79, previously won the prize for The Blind Assassin in 2000.