Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Britain’s national dance company is coming to Inverness

Post Thumbnail

With pulsating rhythms and a storyline that’s politically hot, Christopher Bruce’s Ghost Dances, performed by Rambert, is a must see.

Rambert, Britain’s national dance company, will present one of the most celebrated works in its history at Eden Court Theatre next week as part of a triple bill.
World-famous choreographer Christopher Bruce created Ghost Dances in 1981 as his response to political oppression in South America. The work depicts stories of love and compassion, as death – in the form of the iconic ‘ghost dancers’ – interrupts the daily lives of a series of ordinary people.GHOST DANCES, Festival Theatre, Edinburgh, Britain - 22 Nov 2016
Set to Latin American folk music arranged by Nicholas Mojsiejenko, the piece makes reference to the Day of the Dead. Christopher created the choreography and set design for the work, with costumes by Belinda Scarlett and lighting design by Nick Chelton.

One of the dancers taking a starring role in the piece is Joshua Barwick, who has appeared on stage at Eden Court with Rambert previously in works such as The Strange Drama of Mother Nature and Rooster.

In this role, he will literally take a leap of faith, at every performance…
“There are three ‘ghost’ dancers and I’m one of them and float in wearing a big mask with hair attached which flaps around a lot and makes it difficult to see the floor at times,” said Joshua, 25.

“It was quite difficult to learn the steps while wearing the masks because at times you can’t see the other dancers or the stage which makes the experience quite bizarre.

“Although created in 1981, Ghost Dances is quite relevant to what’s happening now on the world political scene. It is a very moving experience, touching and haunting and it went down a storm when it was presented in Edinburgh just before Christmas.”GHOST DANCES, Festival Theatre, Edinburgh, Britain - 22 Nov 2016
The triple bill, which can be seen at Eden Court on Wednesday, February 15 and Thursday, February 16, will feature live music from the superb Rambert Orchestra. The bill also includes Tomorrow, choreographed by Lucy Guerin, which inhabits the dark and dangerous world of Shakespeare’s Macbeth. This dance gives physical life to the psychological conflict that led a man to murder.

Transfigured Night, created by two-time Olivier-award winning choreographer Kim Brandstrup, is the third piece, a large ensemble work that tells the dramatic story of two lovers who meet by moonlight and share a dark secret which threatens to tear them apart. Their story is told through imaginative choreography set to Arnold Schoenberg’s masterpiece, Verklärte Nacht.TOMORROW by Guerin,
“For anyone who has never been to a ballet before I’d recommend coming along to Eden Court next week,” said Joshua, who has been with Rambert since 2014 and comes from a classical ballet background.

“It’s not like a classical ballet such as Swan Lake where, if you don’t like it, you have to sit through it for more than two hours. This triple bill features three 30-minute dances with breaks in between, so it’s an easy introduction to the world of ballet.”

While the audience can take it easy, it’s a completely different story for talented dancers like Joshua, who have a punishing training schedule to make sure they are fit to perform.
“My usual routine involves starting at 10.15am each morning and taking part in a daily class for around 90 minutes. Then there’s training from noon until 6pm, followed by actual performances in the evening.

“I sometimes find my body screaming for time off, but after a few days away I start fidgeting and dying to get back to work,” said Joshua. “Plus, going to work means getting to work with people like Christopher Bruce, which is such a big honour as he’s an iconic choreographer and so well respected that working with him is just great.”

TOMORROW
Rambert Ballet visit Eden Court, Inverness from February 15-16. Performances take place at 7.30pm nightly with tickets priced from £19-£21. Wednesday’s performance will be sign language interpreted and there will be a post-performance talk. Contact: www.eden-court.co.uk or phone 01463 234234.

Ghost Dances was created in 1981 as a response to political oppression in South AmericaTransfigured Night tells of two lovers who share a dark secretDancer Joshua Barwick