Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Andrew Martin: To-Tilly unique driving experience

Andrew Martin column in Your Car 17/07/19
Andrew Martin column in Your Car 17/07/19

Everyone who knows him knows Sandy Dalgarno is a bit of a joker.

So, when he called and asked “would I like to take Tilly out”, I was suspicious.

Then I’m told she is a film star, who at one time, while filming Stone of Destiny, the 2008 adventure/comedy film, had a fling with Robert Carlyle (Hamish Macbeth to you and me).

Fast forward a month and I’ve had two dates with Tilly and can report the relationship is blossoming.

You guessed it, Tilly is a car – a very special car, with her own story and website.

Tilly’s full title is a 1947 Rover P2 16hp Sport Saloon (four light).

A total of 4,028 were built between 1938 and 1947, but now there are only 25 of these cars left in the world and fewer than 10 still on the road.

Tilly herself only returned to our shores in 2003 after being exported to Australia, new, on January 5 1948.

Which means you are very unlikely to see a Rover P2 16hp Sport Saloon on the road unless you were on the A947 when Tilly joined my old Mercedes for a run.

Although there is 25 years between the cars, there are similarities in design you just don’t get on anything modern; look at the slim front pillars, the scattering of lights, the radiator grill and mascots (a Viking and a three-pointed star) are beautifully threatening for pedestrians.

I cannot really describe the joy of sitting in the leather tub chair (with no seat belt) looking along Tilly’s bonnet while trying to keep the Viking pointing in the straight-ahead direction.

“You’re all over the place,” Alice stated the obvious, with some trepidation in her voice.

“I know,” I replied, “But I’m almost touching 50mph, what do you expect?”

To pilot Tilly along the highway and keep her in the zone between the grass verge and the central white lines is like a computer game challenge, albeit employing a totally different analogue skill set.

In fact the PlayStation generation would not recognise the view from the driving seat, nor be able to find and operate the appropriate levers and controls to make Tilly move.

Steering was a surprising challenge.

The large unassisted wheel connected to a steering mechanism which owes more to an ocean-going liner (to match interior) than a motor vehicle was demanding.

This mated to period cross ply tyres and a suspension setup which has more in common with the horse-drawn cart era than automobiles meant I had to concentrate and do a lot of sawing with the wheel.

Although steering on its own could keep me busy, I also have to adjust the mixture for cold start then running, find the trafficators, double de-clutch (press the left-hand pedal twice, match speed to revs and feel the gear lever into the next gear), adjust the free-wheeling hubs (early form of fuel-saving device) and judge braking and changing down to ensure I don’t over overshoot a junction or crash into the car in front.

Thankfully, it was daylight and sunny, so no need to look for and fathom out operating wipers or headlights.

There is an oh-so period radio below the dashboard, but I was so busy driving I was not able to tune it in to Titanic AM.

Sure, she’s a challenge and an older woman, but I’ve fallen for this 1947 screen goddess.

The interior reflects the splendour enjoyed by privileged owners in a bygone era.

You enter over a running board through “suicide” doors (the hinges are at the back) into an opulent cabin decked out in the finest leather and wood.

Inside, the Rover is snug and comfy for two up front in leather-trimmed bucket seats, with enough room to impress two companions in the back.

The wooden dashboard with the aircraft-inspired scattering of dials, switches and buttons is a thing of beauty.

No post-war modern manufacturer can come close to the bespoke coachwork in here.

There is even a highly polished wooden tray in front of the passenger, which when you slide out, you will find the original tool kit inside – lovely.

Tilly’s story can be found at

1947rover.co.uk/Home.html