Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Emily Mortimer: Why directing made me feel powerful

Emily Mortimer is directing a BBC adaptation of the novel The Pursuit Of Love (Ian West/PA)
Emily Mortimer is directing a BBC adaptation of the novel The Pursuit Of Love (Ian West/PA)

Emily Mortimer says going behind the camera made her feel “suddenly powerful”.

The actress, 49, is directing a BBC adaptation of Nancy Mitford’s novel The Pursuit Of Love.

She told Harper’s Bazaar UK: “As an actor, you are infantilised and told what to do all the time.

“You’re literally given pocket money, woken up by somebody, picked up here and taken there and you’re powerless. I am very good at that.

“But suddenly to be in charge of this whole system… I have a very awkward relationship with authority – I have none, basically.

Emily Mortimer was interviewed by Harper’s Bazaar (Harper’s Bazaar)

“I don’t like to upset anybody, and I find any confrontational conversation really stressful.”

She said of directing the TV drama, starring Lily James: “For the first time in my life, I found myself able to be quite direct.

“I do think it’s important to know that you can do it. It’s cool to be a woman of our age who’s suddenly powerful, in charge, and to feel that’s OK.

“And the amazing thing about directing is that there’s no time to think at all – unlike acting, when you have a lot of time both before and during the process to sit and think about how you’re going to humiliate yourself on an international level.

“I felt weirdly happy doing it (directing). Though it’s going to be horrendous when people judge it, because if it’s bad, it’s totally my fault.”

On novelist Mitford’s writing, Mortimer, who also penned the drama, said: “We’re living in a time when you feel nervous about saying anything, but this female voice is so unafraid.”

The May issue of Harper’s Bazaar is on sale from today (Wednesday).