Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Robert Lindsay says he cried with emotion on opening night of Anything Goes

Robert Lindsay has said he ‘lost it completely’ as he was ‘so emotional’ on the opening night of Anything Goes’ West End debut (Ian West/PA)
Robert Lindsay has said he ‘lost it completely’ as he was ‘so emotional’ on the opening night of Anything Goes’ West End debut (Ian West/PA)

Robert Lindsay has said he “lost it completely” as he was “so emotional” on the opening night of musical Anything Goes.

The Olivier, Tony and Bafta award winner, who stars as Moonface Martin, said the show’s cast wept backstage due to the incredible reaction from the sold-out audience during the first performance.

The show is on a limited 12-week run from July 23 until October 17 at the Barbican Theatre in London, and then will embark on a UK tour.

Lindsay told the PA news agency: “I lost it completely, I was so emotional.

“I think the journey is going to be like it is a tonic for very, very bad times.

“It was written and came out of prohibition and all the depression, and this is coming out of a depression, it’s just perfect timing again for this show.”

Actress Sutton Foster, who is reprising her Tony Award-winning role as Reno Sweeney, added: “I was sort of stunned, I cried a lot during rehearsals.

“And then during preview, I’ve never experienced anything like it ever.

“I think it was this combination of an audience so hungry for theatre again, performers so hungry to perform again.”

Anything Goes photocall – London
Anything Goes will have a limited 12-week run at the Barbican theatre until October 17 (Ian West/PA)

The show is set on the passenger ship SS American, which is sailing from New York to London, where two unlikely pairs are on the course to find true love when comical disguise, singing sailors and bizarre antics occur along the way.

While discussing the difficulties the art and theatre industry has experienced during the pandemic, Lindsay and Foster both admitted they had considered leaving the theatre world at one stage.

Lindsay, who has worked with the Royal Shakespeare Company and in the West End, said: “I considered packing it all in.

“I thought ‘Well what’s the point if I can’t do it?’ I did a little film and I did a little bit in telly.

“It’s what I love, theatre is my passion, and that’s why I think I found it so emotional in that first preview. It was just like, ‘Oh God, it’s back’.”

The American Broadway actress, who stars in the TV series Younger, added: “I just never thought that what I did for a living just wouldn’t exist, that freaked me out.

“That had just never happened in my 25 years in the industry, it was really scary.”

Anything Goes photocall – London
The musical is set on the SS American sailing from New York to London (Ian West/PA)

The show has a company of 50 performers, including a full-sized live orchestra and tap-dancing sailors who perform numerous routines lasting up to eight-and-a-half minutes.

Foster said the rehearsal period was “playful” and filled with “so much laughter” and that it felt “wonderful to be able to share that with audiences”.

West End star Gary Wilmot, who plays Elisha Whitney, added: “There’s nothing better in the world than making someone laugh in the theatre stage.”

Anything Goes photocall – London
Gary Wilmot and Felicity Kendall also star alongside Sutton Foster (Ian West/PA)

The musical, which also stars The Good Life actress Felicity Kendal, was written by Cole Porter in 1934 and based on the original book by PG Wodehouse and Guy Bolton, and was later revised by Howard Lindsay and Russel Crouse.

The show is directed and choreographed by Tony Award winner Kathleen Marshall, whose Broadway production of the show previously won the Tony Awards for best musical revival, best choreography and best actress in a musical for Foster.