Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Ken Fyne: New Inverness artwork is ‘snow’ laughing matter

Forecasters are warning of snow across parts of Scotland.
Forecasters are warning of snow across parts of Scotland.

Only a few days to go until December and the white stuff is now descending on Fyne Place.

No, not a hot latte or Milky Bar chocolate or Santa’s beard, yet, but the cold, wet white stuff that brings joy to skiers, misery to motorists, relief to unsightly gardens and more pressure on A&E departments as people pirouette painfully and skite about like failed auditionees for Dancing on Ice.

I’m fortunate to have an excellent, albeit occasionally noisy, snow-clearing machine here that handles all but the deepest drifts. It’s a joy to watch as daylight breaks. But enough about Mrs F. All I can usually see of her through her head-to-toe winter gear is her eyes as she manfully shovels the snow aside, looking like a picture of a coal miner in negative.

If the eyes are wide and bright, all is well, but if they’re narrowed and focused like an angry sparrowhawk, it’s time I stopped slouching and did more shovelling.

The first snow flurries not only bring out the skis and sledges but also those poor deluded souls who think that just because they have big four-wheel-drive vehicles in which they’ve lumbered around expensively since last winter, it now means they are immune from treacherous road conditions and can speed about like would-be Max Verstappens, cocking an arrogant snook at those of us in more humble modes of transport.

Even four-wheel-drive vehicles can struggle in the white stuff.

They are easy to spot; they’re the ones subsequently standing forlornly by their vehicles waiting for a tractor to come and pull them out of the ditch they’ve careered into. Touché, I say.

My diary shows that this weekend last year, we were enjoying the brief respite between the end of the summer lockdown and the start of the Christmas one by spending time walking in the hills in glorious blue-sky sunny weather.

I have pictures of us with not a snowflake in sight, and by that I mean the natural ones, thankfully not the modern Millennials of the so-called “Generation Snowflake”; people who are self-obsessed and fragile, easily offended, or unable to deal with opposing opinions.

There was a veritable blizzard of them exercising their indignation when the public artwork, The Gathering Place, was unveiled on the banks of the River Ness at Inverness last month.

The Gathering Place has drawn criticism from some quarters.

I spent time sitting there this week, not only recalling my own eye-watering Highland gathering when I walked quickly away from the car not realising my kilt was caught in the door, but also trying to fathom how the brief to create something that “re-connects the city with the river, drawing out its stories, engendering a sense of place and creating access to the river”, became an undistinguished stone pier with, currently, no access for people with disabilities.

It’s not unpleasant. It’s arguably quite good. The Moray-sourced stone is a splendidly mellow colour and the structure largely inoffensive, but for the money I reckon an opportunity has been missed.

I like public artworks and many bring benefit to the places in which they’re found. Take the wonderful Kelpies near Falkirk, the iconic Angel of the North near Newcastle, the witty clock on legs near Glasgow’s Buchanan Street bus station, the M8’s heavy horse or Arria, the colourful female figure standing beside the M80 at Cumbernauld. Each is distinctive, photogenic and memorable. Even Evanton’s Fyrish monument has a certain mystique and beauty about it.

The Kelpies have proved very popular with tourists and locals alike.

Not so The Gathering Place, sadly. I can’t imagine hordes of foreign tourists snapping away with smartphones to post images of it to family and friends back home, nor can I imagine visitors detouring just to visit it.

Inverness could have done better with a brochure-busting icon that said more about the unrivalled heritage and vision of the city, the Highlands and Scotland in general.

Perhaps opinion will see-saw in future, unlike the subsequently abandoned plan for such a structure beside the Ness, but I’m not convinced.

Anyway, Mrs F quite likes it so that’s the end of the matter.

Worryingly, she thinks I might have a hint of frosty snowflake about me now. I hope not, but her eyes are narrowing menacingly so that means it’s time I gathered my thoughts, boots and bobble-hat and started shovelling, too.