Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Book extract: Artefacts of the Dead by Tony Black

Book extract: Artefacts of the Dead by Tony Black

ARTEFACTS

Extract 5 from Chapter 9

Valentine was first from the police vehicle; he strode round the front of the car and nodded to the young man. The detective watched the youth dig his hands into his pockets and raise his shoulders awkwardly. He didn’t make eye contact, but Valentine was close enough to see the pitted declivities that bordered his hairline in a sad echo of once-rampant acne.

‘Hello, I’m Detective Inspector Bob Valentine and this is my colleague Detective Constable McAlister.’

The pair were greeted with a nod but no introduction.
Valentine resisted the usual politesse in favour of a more direct approach. ‘And you would be?’

‘Adrian.’ He removed his hands from his pockets and brought them together across his chest, pressing a thumb into the flat of his palm.

‘Urquhart?’

He nodded. ‘My mum’s inside.’

Valentine raised a hand towards the door and started to walk. The wind was picking up and thin, dark rain clouds scythed the sky.

The home was airy; some muddy footprints that looked like they had come from Wellington boots covered the floor, but everywhere else was neat and tidy. Adrian ushered the police officers through to the lounge and directed them towards his mother, who was sitting next to a ruddy-cheeked man with his arm around her shoulder. As the officers were introduced to the man called Ronnie, he removed his arm and leaned back in the sofa.

Valentine approached the pair, which prompted Ronnie to distance himself further. ‘I’ll leave you be,’ he said, rising and turning to face Mrs Urquhart. ‘I’ll drop in again later. Just to see how you are.’

She nodded and sucked in her lower lip.

Valentine kept his eyes on Ronnie; he thought about engaging with him but decided it wasn’t the time or place. As the neighbour hurried out the door, Mrs Urquhart made to stand, but her balance didn’t seem to be functioning – she flounced on to the sofa’s arm and Adrian ran to her side to support her.

‘It’s OK, there’s no need to get up, Mrs Urquhart,’ said Valentine.

He watched her steady herself on the couch once more: her face was saturnine, the droop of heavy eyelids accentuated by dark hollows above the cheekbones.

A prominent white crease dissected her brow with almost clinical precision and then erased itself as black irises gave way to an expanse of white, rimmed in red.

As she took in Valentine, he felt her searching stare: it was a look that spoke to you without words; it was such a knowing look that Valentine wondered if his own thoughts were as discernible as the pages of a book to her.

He shifted himself sideways, sat down on the adjacent seat and crossed his legs. ‘Hello, Mrs Urquhart.’

‘Hello . . .’ She had the look of someone whose life had been a trial of hurts: not broken, or ever defeated, but a woman who had known considerable miseries and had grown to live with secrets.

‘I believe you called the station . . .’

She nodded. ‘Yes.’

‘Can you tell me when you first became aware that your husband was missing?’

Adrian squeezed his mother’s hand. ‘I think it must have been sometime yesterday afternoon.’

‘I take it Mr Urquhart has never been missing like this before?’

‘No. Never.’

Valentine cast a glance at McAlister, who was walking around the room. ‘You will be aware of the television news bulletin.’

Mrs Urquhart nodded again, she scrunched up her eyes as she spoke. ‘Yes.’

Valentine shuffled uneasily on the chair, the woman was in no fit state for questioning, but it was one of those moments where the demands of the job overrode etiquette.

He lowered his voice. ‘I have to ask you, are you capable of making an identification?’

She looked towards her son and buried her head in his chest.

Adrian spoke. ‘Can I do that?’

Valentine’s mouth widened, but he didn’t have time to answer.

‘No. No. I’ll do it, detective,’ said Mrs Urquhart.

Valentine rose from the chair and beckoned to McAlister. It was pointless pressing her: very little of any value could be obtained from someone in such a profound state of mourning.

There was a prominent thought impressing itself upon Valentine’s mind, though: most murder victims knew their killers. She might indeed be in shock, but her gut reactions would be difficult to fake.

‘Mrs Urquhart, if I may ask just one question before we progress . . .’ The DI paused for a moment. ‘Can you think of anyone who would have a cause to harm your husband?’

Mrs Urquhart looked to her son and then turned on the detectives with steel in her eyes. ‘No, no one.’ Her cut-glass vowels seemed even sharper now. ‘Why . . . why would anyone want to do such a thing?’

Artefacts of the Dead by Tony Black, £7.99 paperback, Black & White Publishing.