Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

David Knight: Jeremy Clarkson’s crass clumsiness overshadows the good he’s done for farming

Words can do a great deal of lasting damage, as the cautionary tale of Jeremy Clarkson teaches us.

Clarkson's Farm follows Jeremy Clarkson as he attempts to run a farm in the countryside (Image: PA Features Archive)
Clarkson's Farm follows Jeremy Clarkson as he attempts to run a farm in the countryside (Image: PA Features Archive)

Words can do a great deal of lasting damage, as the cautionary tale of Jeremy Clarkson teaches us, writes David Knight.

I have to confess to laughing my socks off at comic gold being cultivated down on the farm in Jeremy Clarkson’s reality show.

I know I shouldn’t, after what he wrote about Meghan Markle. And after he was sacked from another show for punching a colleague. But I just can’t help myself, sorry.

I binge-watched the latest series of Clarkson’s Farm on Amazon Prime, and I’m not ashamed to say that his tractor ploughed a furrow all the way to my funny bone. It’s just about the only straight line he manages in a tractor throughout the series.

The fact I liked it doesn’t mean I condone the other stuff.

This show is a hit, with five-star reviews – from armchair viewers to professional critics. Even a lot of farmers love it.

He has won awards from farming institutions for flying the flag for British agriculture from his 1,000-acre spread in the Cotswolds. One sheep farmer memorably commented: “Clarkson has done more for farming in a series than BBC’s Countryfile did in 30 years.”

He just has natural comic timing and wonderful acerbic one-liners, the latter being the main cause of his downfall at times; you reap what you sow, as all farmers know.

But, in today’s world, don’t we need people like that even more? To take the powerful, incompetent and hypocritical down a peg or two when they deserve it?

Especially as the supposed freedom of social media has created a world of mediaeval-style intolerance, where any criticism triggers hate and venom to cancel it.

We should never be cowed about calling out the rich and famous, even when Meghan Markle paints herself as a victim. But free speech is a precious commodity which can turn toxic, too.

Jeremy Clarkson has made no secret of his ‘hatred’ for Meghan Markle (Image: Mike Egerton/PA)

With Clarkson, his graphic choice of words about Meghan landed like a cow pat. It left him open to accusations that he crossed the line with personal abuse, and encouraged entrenched and abhorrent attitudes towards women.

I’m not a part-time publicist for Clarkson, I hasten to add. Even though we went to the same journalism college when starting out, but not at the same time; sad to say, I’m older.

Yet, ironically, something serious and worthwhile bubbles away beneath Clarkson’s self-deprecating humour and comic incompetence as a rich gentleman farmer. He highlights a string of agricultural issues which beset farmers everywhere and threaten their livelihoods, such as excessive red tape suffocating expansion and diversification.

These issues are being felt by food shoppers, too. A stark example showed planners dashing Clarkson’s hopes of setting up a co-operative to help other local farmers; two of whom – milk and pig producers – were in dire straits.

Clarkson’s column prompted 25,000 complaints

There were 25,000 complaints to the press regulator about Clarkson’s opinion column in a national newspaper . He wrote that he “hated” Meghan Markle, and dreamed of her being humiliated and paraded through the streets naked – copying a scene from Game of Thrones.

Watching him on TV made me wonder if his postbag was swelling with outraged mail from another direction, after taking a swipe at badgers, ramblers, cyclists and planning officials. Or from parents in general, as he held a small T-shirt aloft after climbing out of a tractor and said: “I think I just minced a small child.”

The written word isn’t as funny as a comedian’s punchline if delivered in a ham-fisted way

It’s all in the delivery, as any comic performer would tell you.

As a BBC spokesman once said, while trying to defend some new Clarkson complaint: “Jeremy says everything with a twinkle in his eye.”

Only a psychopathic lunatic would really hope for such a horror to befall Meghan, and he is clearly not that. But the written word isn’t as funny as a comedian’s punchline if delivered in a ham-fisted way; look at how much trouble poorly-worded emails and text messages have caused.

Traversing a fine line

Abuse of women remains one of the scourges of mankind, so Clarkson might have thought he was tiptoeing through the tulips down on his farm, but actually found himself crashing around a minefield.

Actually, I wonder if he was a proper stand-up comedian he might have got off lighter, pleading artistic licence? Remember Jo Brand saying: “Why bother with a milkshake when you could get some battery acid?” after Nigel Farage was doused with milkshake?

Or Billy Connolly asking: “Don’t you wish they’d just get on with it?” when it was still unknown if terrorists had murdered British hostage Ken Bigley in Baghdad; he was beheaded days later.

Now, TV show South Park has targeted Harry and Meghan, with an episode which parodied their “Worldwide Privacy Tour”; Meghan waved a placard saying: “Don’t look at me”. Softer than Clarkson’s brutal imagery, but still effective as a pin held to ballooning egos.

It reminds us, yet again, that words can be as dangerous as a grenade in clumsy hands. He’s presiding over a right old mess – just like the chaotic parking outside Diddly Squat Farm Shop.


David Knight is the long-serving former deputy editor of The Press and Journal

Conversation