Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

Aberdeen Performing Arts: new CEO Sharon Burgess says city has ‘captured my heart’

The new chief executive of the north-east organisation has a wealth of experience and has returned to Scotland after a successful period in Australia.

Sharon Burgess
Sharon Burgess is the new chief executive of Aberdeen Performing Arts. Pic: APA.

If travel really broadens the mind, then Sharon Burgess has arrived in Aberdeen with a significant bandwidth for culture in her new role.

Even as she adapts to the eclectic range of festivals staged in the north-east, her cv pinpoints her past experience of dealing with a fast and furious schedule at the Edinburgh Festival Fringe and being a producer at the Edinburgh Hogmanay show.

Most recently, Sharon was the chief executive of ARTRAGE, a not-for-profit cultural body based in Perth in Western Australia, where she was instrumental in successfully navigating the organisation through the the Covid-19 pandemic. Which was no mean feat, considering how dramatically the curtain fell across the world.

But now, she has returned to her roots to take the helm as CEO at Aberdeen Performing Arts. Previously she was immersed in the Scottish sector as managing director of Assembly, one of the largest and oldest multi-venue producers at the Fringe, running almost 30 venues, hosting over 220 events a day across every conceivable genre and issuing more than half a million tickets to a truly global audience.

Sharon Burgess
Sharon Burgess has replaced Jane Speirs as chief executive at Aberdeen Performing Arts. Pic: APA.

Plans to build on ‘brilliant’ foundations

Sharon has only been in the Granite City for a few weeks, but has already been impressed with the diverse range of offerings available at different venues.

She was charmed by Richard E Grant’s “captivating” performance at the Music Hall recently, where the actor recalled meeting his late wife in Aberdeen, and enthralled by Scottish Opera’s “incredible” production of Carmen at His Majesty’s Theatre.

And she was excited by the energy and effervescence of the myriad young performers at the Light the Blue festival, including those who participated in the Let’s Create initiative and showcased their talents at the Lemon Tree.

Sharon happily admits that she plans to build on the “brilliant” foundations established by the organisation’s previous chief executive, Jane Spiers, who stood down last year. And she is already captivated by the positivity around the arts scene in her new patch.

Jane Spiers
Jane Spiers was the previous chief executive of Aberdeen Performing Arts. Pic: Wullie Marr/DC Thomson.

She said: “I’m absolutely thrilled to be here and am loving Aberdeen so far. The city has truly captured my heart with its unique charm and incredible cultural offerings.

“I am confident I’ll have no trouble encouraging my friends and family to visit. We are so lucky to benefit from Aberdeen’s walkable streets, vibrant arts scene, incredible food offerings, and the natural wonders surrounding it, so there’s something for everyone to enjoy. I feel incredibly fortunate to be a part of this wonderful city, and I can’t wait to continue discovering all that Aberdeen has to offer.”

She wants audiences far and wide

As a big fan of Jason Byrne, Sharon can’t wait for the popular Irish comedian’s sojourn to the city in October.

In the bigger picture, she firmly believes that arts and culture should be accessible to everybody, not just a select few who can afford expensive ticket prices, and is determined to provide platforms for diverse voices across the community and establish Aberdeen as a sought-after destination for audiences far and wide.

One suspects that, rather like Queen Victoria, she is not remotely interested in the possibility of defeat.